With her honey vocals at centre stage, the NYC-via-Sydney R&B singer draws equally from soul tradition and pop melody, guided by hard-hitting lyrics about her experience as a young Blak and Pacifica woman.

Growing up on the streets of her local music scene, the soundtrack of her childhood included soulful 90s tunes and island music of her father’s Koori Radio hip-hop show “Island Hopping.” She describes herself as a city girl through and through and represents a beautifully melted dichotomy of sweet and deadly. Her contagious R&B Soul, pop melodies and layerings of harmonies points towards the vibrant palette of sonics in her back pocket and her intuition to create with versatility.
“My existence is super political, but my music totally doesn’t seem so at first glance,” says Mi-kaisha. “And I think there's power in that.” As an artist and storyteller, Mi-kaisha is also an advocate with a responsibility to actively support her communities and work against the systems that have perpetually oppressed Pacific Islanders and First Nations Peoples. So much of Mi-kaisha’s performance experience growing up was within the Aboriginal community, performing at community events. She is the woman she is today, because of the strong women in her community who have raised her to be unapologetic in everything she is and does.
With a chameleon voice that’s as massively powerful as it is shiveringly delicate, a deep-rooted purpose and message to share: it is no question that Mi-kaisha is a generational talent.

Splitting her time between Warang (Sydney) and Lenapehoking (New York City), Mi-kaisha is currently completing a degree at the Clive Davis Institute of Recorded Music at NYU. The vocalist, songwriter, and producer just released her second single, “Seen,” and has music in the works to be released in 2023.